Wednesday, September 1, 2010

A Pie in the Hand



















Buster Keaton, armed with pies.

You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You'll get pie in the sky when you die.
-Joe Hill, 1911



















For their first solo show together in nearly 3 years, the Artist Sisters (aka Miss Mindy and CJ Metzger) are running free and wild with the Pie in the Sky concept. As a highlight of this show, they have made, with the help of their friends, family, and anyone else who wanted to ride along for the fun, an old-timey black-and-white frolic of a film to be premiered the night of the opening aptly titled: A Pie for a Pie!

























In keeping good step with the concept of Pie in the Sky, the Artist Sisters have thrown off the heavy cloak of words like ‘Work’ and ‘Project’ and ‘Serious’. So they will not be showing a Body of Work. They will be showing Fun, Frolic, Mirthful Creativity, and, of course, Pies. Because of this, there is a light-hearted humor that breathes fresh air into the displayed objects, painted with frivolity, but not frivolous. By their accounts, caution was thrown to the wind. Hearts were followed. Pies were tossed into the air. Because of this, we can have our Pie now.















In 1909, Ben Turpin was hit in the face by a pie in the film Mr. Flip. He rather deserved it as he trundled from establishment to establishment, tickling and goosing all the girls on the neck or cheek, looking for some affection, taking it where he could. He hit on the telephone operator, the girl behind the bar, the manicurist, and the lady barber, all to be done in by a prop from their specific trade (he gets shocked, sprayed with seltzer, sits on a pair of scissors, and thoroughly brushed with shaving cream, respectively.) In the last scene, undaunted, he tried his hand on the girl at the lunch counter and swiftly received a pie in the face. One of the classic and gold standard of all sight gags was born as this is said to be the first film to capture this gag. See it here: http://www.youtube.com/watch?v=WcJaN9n3W6Q






















Nick Swisher from the New York Yankees having just been pied by teammate AJ Burnett, a sweet ‘reward’ for a job well done. A Pie in the Face, or Pieing, has permeated culture from running gags in sports like baseball, to politics, and even charity pie throwing.


























It was a labor activist by the name of Joe Hill who first penned the phrase “Pie in the Sky” as a parody of the Salvation Army Hymn “In the Sweet By and By” in which we are asked to suffer in this world for the trusted hope that there will be something better, and sweeter, in the next:

Workingmen of all countries, unite,
Side by side we for freedom will fight;
When the world and its wealth we have gained
To the grafters we'll sing this refrain:

You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You'll get pie in the sky when you die.


Joe Hill was Swedish-born and immigrated to the US after the turn of the century. As a migrant laborer, he quickly became a labor activist and travelled extensively throughout the U.S. Unfortunately for him, he got shot in the wrong town at the wrong time in Utah in 1915. There was a murder of a local storekeeper by two men, one of whom was shot. On the same said night, Hill himself had been shot on the other side of town. He was having discreet relations with an unmarried lady. There was an argument in which Foreplay to turned to Gunplay and Hill was shot in the arm. To protect her reputation, he never gave his alibi and remained silent. He was quickly sentenced to death by firing squad on November 19, 1915.
























He wrote to his friend Bill Hayward: “Goodbye Bill. I die like a true blue rebel. Don't waste any time in mourning. Organize... Could you arrange to have my body hauled to the state line to be buried? I don't want to be found dead in Utah."



























As he stood before the Firing Squad, his last word(s) was said to have been “FIRE!”
















Depending on who you ask, the first custard-pie-in-the-face on screen occurred in the comedy A Noise From the Deep (1913), in which Mabel Normand, playing a farm girl, throws a pie into the Pie-hole of the ever funny and rotund farmhand Roscoe "Fatty" Arbuckle





















Mabel Normand


















Mabel Normand feeds Fatty Arbuckle


In the days of early cinema (and later cinema, really) it did not behoove the female actor to play the clown, as they were wanted and needed to play the pretty girl or the vixen. Tell that to Mae West or Lucille Ball or to the Artist Sisters for that matter. These women did and do what they want with grace and humor because now is the time to Laugh. We want our Pie in our hands and on our faces, not in floating in the Sky.
























Behind-the-scenes from a Pie for a Pie



Pie in the Sky, as a now popularized phrase, expresses the sentiment that an idea is just too lofty, too dreamy, won’t happen. It’s out of reach. We as people just need to toil away in the hopes that when our lives have come to an end, we get our reward. In a word, dessert after life. The Artist Sisters’ twist on this is that we can have our Pie right now, it’s there for the taking. Joy, mirth, delight, laughter: these are all things to strive for and to have now, not tomorrow, not at the end. Thinking that our reward and happiness is a thing to be had in some other life (later, not now, Heaven, not Earth) negates our living and breathing and laughing and making the world we inhabit now the Place we expect later. We each are responsible for our own destinies, to make our inner-worlds exist on the outside, to turn thoughts and dreams into reality. Today exists, tomorrow is a fantasy. You can grab the Pie from the Sky here in this world, and you can make any Pie you want. You can throw it around. Eat it if you want. Just make sure it’s not made with shaving cream…
















Blazing Saddles



















The Great Race with Natalie Wood and Tony Curtis


















Laurel and Hardy - Battle of the Century

















The final scene that was filmed yet cut from the end of Dr. Strangelove, in which everyone in the war room engaged in a pie fight. Apparently, Kubrick cut the scene due to the fact that everyone looked to be having too much fun and it ultimately didn't fit the tone of the film.
















You will Eat, bye and bye
Whipped cream delights, my oh my
Just you sit right on down, and it’s off with your frown
We’ll eat Pie from the Sky, you and I
-Rob Faucette, 2010

Join the Artist Sisters at WWA gallery for their opening of Pie in the Sky on Friday, September 10th and their world premiere of A Pie for a Pie from 7- 10 pm.

Thursday, July 15, 2010

Takin' It Back

The Art of Tommii Lim
by Stephanie Chefas

Tommii on a LA rooftop


Make no mistake about it, Tommii Lim knows how to party like an art star. Creating art by day, DJ'ing at night, and going on adventures in between, Tommii is living life to the fullest. Drawing upon his experiences and finding inspiration from daily interactions with you and me, Tommii captures today's society in graphic abstract patterns and employs his unique style to highlight the complexities of our technologically driven world.

As one of the participating artists in Industrial Squid's upcoming group show Off the Strip at WWA gallery, I wanted to take the opportunity to learn more about Tommii and what makes him 'tick'.


Stephanie Chefas (SC): When hearing about the theme for Off the Strip, what was your initial reaction?


Tommii Lim (TL): Vegas and bacon.



Bus Ride by Tommii Lim

SC: Which comic strip character do you relate to and love the most?


TL: Don't have a specific character but i think i can relate most to villains and antagonist characters. They always try to question authority and cause ruckuses but always get foiled by the 'hero'. In reality, good and bad is not as clear cut as is in fictional worlds so i guess those characters make me wonder who the true villains and heroes are in real life and which side I'm on.

LOL by Tommii Lim



SC: What's the naughtiest thing you've ever done?

TL: I've been a DJ for the last 10 years and have had gigs ranging from the Porn industry to Playboy parties, that's all i will say...

SC: Did you get caught?

TL:Yes

SC: Would you do it again?

TL: Yessss


Partying like an art star!

SC: What was the inspiration when creating your piece for the show, Hobbes Ride (Takin' It Back)?


TL: As a kid, I grew up every Sunday morning eating fresh doughnuts and getting the Sunday comics from my dad. Calvin and Hobbes was one of my favorites. The perfect friend was the one he would go on adventures with. For me, my piece is about that moment in your childhood that goes by in a blink of an eye and becomes a flickering thought in the back of your memories. The piece is made like a random frame in a comic, forever frozen in time, as a reminder of the past.








Hobbes' Ride (Takin' It Back) by Tommii Lim


SC: The majority of your art in 2010 are powerfully strong graphic black & white images and a departure from the vibrant color palette that you're known for using. Is there anything specific inspiring this change?


TL: Not sure exactly what triggered the change, but i guess I'm going back to basics. My early work started off very monochromatic and then i started noticing everything around me was very wild with color and vibrant, so i intensified the colors to portray that. I've always wanted to reflect my world and thoughts in my paintings and that was what i was feeling at the time. I moved to downtown L.A. earlier this year, in the middle of all the buildings and smog and i think that has effected my color palette and work in many ways. I also came across some old Asian comic books, which are all in black and white and that has had a big influence in my art. I am not departing from color but feel like a limited palette is strong for me right now. I have always been drawn to simple graphic work. My work has evolved into more simpler graphic imagery and i can imagine it will keep simplifying and changing.



Phat Ride by Tommii Lim


SC: Where do you find inspiration and influence on a daily basis?


TL: From you, from him, from her, everywhere. Things i see on the streets, conversations i have or overhear, the shit the media feeds us on tv and internet, pop culture, music, riding bikes, the demons in my head.

Tommii working on a Hurley Mural


SC: As an artist, what message do you carry?


TL: I used to make social and political art but now my work acts more of a diary than anything. I try to keep my paintings as ambiguous as i can. Each piece is a frozen moment in time from some part of my world. They have messages, but that's between the viewer and the piece.




SC: What do you think of the current climate of the art scene?


TL: Cloudy with a chance of....naw, i don't know. i don't go out to too many art shows or read too many magazines. I try to keep it fresh so i try to stay away from the 'art scene'. In the age of the internet, it is 'virtually' impossible to be original but there is dope home grown art out there and of course, a lot of xerox art.


Livevil by Tommii Lim


SC: Where do you see the art scene going in 10 years?

TL: Not sure, but ill be on my hover board watching you suckas!


SC: Which contemporary artists do you most admire and/or are inspired by?

TL: Artists i meet and/or collaborate with, artists who are true to themselves and artists that do it for the love of it. Also get inspiration from gimmicky cheese balls out there that make a fortune portraying an artist, these people inspire me to keep it real.


SC: If I were to spend the day with Tommii, what could I expect?

TL: Depends on what day of the week. On a really good summer day, we would make some art and /or music at my studio in downtown, take pictures of people from my patio, get some coffee, eat dollar tacos, smoke some of God's greens, go for a bike ride to the beach, take a dip then a nap, get some Korean food in Korea Town, ride back to downtown, get some $2.50 beers, if I'm DJing somewhere, go there, dance, drink, smoke, eat and be merry.


SC: What's the one thing you can't live without?

TL: It's a tie. Music and women.


SC: The one thing you can't live with?

TL: Another tie. Black Licorice and dog piss.


SC: What are you creating at the moment?

TL: I started a series involving my surroundings that will connect to create a mega landscape, pretty excited to make it. I am also doing some commercial work with some major surf, skate, snow board and urban brands. I'm always making music on a daily basis as well.


SC: What's on the horizon for Tommii?

TL: New friends, more traveling, making art and just living! I will also be working with a legendary art consultant for some upcoming projects including some big museum exhibtions (that's all i can say for now). I will also be making an art book with my paintings and design work as well as creating art under a new alias in the not to distant future (check my site for details later). I also started Djing and playing keyboard with guitarist Dave Burch under the name 'Legal Aliens' mixing live funk with electronic music, we will be playing more gigs soon. Check out my site www.uglyfresh.com for updates in my world, thank you and peace out!




Thanks Tommii!


To learn more about Tommii and his art, visit http://www.uglyfresh.com/.





Nate Van Dyke goes Off the Strip

What it is Squidlovers,

So we got this here Off the Strip show set to blow the roof off the mother tomorrow, from 7-10pm at the WWA gallery, and if you aren't familiar with the concept let me spin it for you right quick. Basically we love comic strips, and really comics of any kind, so we asked several of our favorite artists to do their own interpretations of classic comic strip characters. The twist you ask? We requested that they take the characters out of their norm and throw them into deplorable, despicable and down right reprehensible situations. I know, sick nasty is what you're thinking.

Anywhos, one of the artists that we asked to dip his dirty pen into the show was Nate Van Dyke, and as per-usual, the man did not disappoint. He brought it with a particularly salacious take on one Hobbes the tiger from Calvin and Hobbes, which after Krazy Kat is my personal favorite strip. You'll get to see it below, but I warn you this ain't no kids show. Once I saw his piece I knew immediately I had to interview him and Mr. Van Dyke was kind enough to oblige. Get ready for all sorts of nonsense. Boom.


DR: Where were you at about 9 pm last night and can anyone corroborate your whereabouts?

NVD: I was at home watching Independence Day, drinking beer and drawing some shit I didn’t want to draw. Just ask Will Smith. He’ll back it all up.

DR: While you create many things, you’ve made quite a name for yourself with your illustrations of anthropomorphic chimps. So how did you get into the monkey business and do you take your monkey business seriously?

NVD: Getting into all of this chimp shit was random. I had done a dozen or so large pieces for a solo show I had about 10 years ago. One of the pieces happened to be this pissed off chimp and everyone loved it. I could have sold that piece 8 times over. Oddly enough it was the only piece in that show which sold. There was a lot of buzz around it so I decided to explore it more. Fast forward a bunch of years and a lot of beers and here I am. Known as the guy who draws the pissed off chimp. I guess it all worked out. And, no, I don’t take my shit that seriously at all.

DR: I love your contribution to Off the Strip, as I am a big fan of Calvin and Hobbes and for some reason it reminds me of my babysitter as a child. Some, however, might call your piece a bit salacious. How important do you think it is to shock you audience from time to time? Do you find it is becoming harder and harder to shock people now a days?

NVD: I don’t really set out to shock people like I may have when I was younger. I’ve learned that you have to draw whatever it may be. Be it a cartoon character about to eat fur burger or a vase of flowers. I’ve learned that you can’t please everyone. As long as I enjoy doing it and get a good piece out of it I’m happy. I actually look at that piece and laugh. I just think it’s funny. I think it’s gotten harder to shock people because there are a lot of people who try and do simply that. I just draw what comes to my mind and thins was one that came to mind when I saw that specific shot of Hobbes in one of the books.

DR: So you are illustrating the new Jurassic Park comic. Considering the history of the franchise that seems like quite the honor. Has it been a challenge? Do you think you could take a T-rex, you know, if it were either you or him?

NVD: Drawing Jurassic Park has been an interesting ride. I’m supposed to be working on it right now. Shhhh! I was quite honored when Bob Schreck contacted me to do it. He kept begging me to take it on and I finally gave in and accepted. It’s cool to be a small part of the franchise. The odd thing about doing comics is you end up having to draw a ton of shit you don’t want to draw in order to tell the story.

I already know I can kick the shit out of a Rex. One night I was getting hammered at home and I drunkenly fell over and completely wrecked this T-Rex splash page. So, yeah… that bitched armed Rex didn’t stand a chance around me.

DR: If you could hang out with one character from the comic pages who would it be and what would you guys do? (If it’s Blondie be careful what you say. Word on the street is Dagwood is nasty jealous and ain’t afraid to cut a bitch.)

NVD: I’d say Calvin but as smart as that kid is it gets a little creepy being that guy who wants to hang with 6 year-old boys. I’d have to say Daphne from the old Scooby Doo cartoons. I had a crush on her when I didn’t even know what you would do with a woman. Also, I could stomp the shit out of Fred if he gave me any beef and that dyke, Velma, doesn’t seem to pose too much of a jealous threat.

DR: Have you ever stolen anything and was it worth the disappointed look in your mother’s eyes? After all she did raise you better than that.

NVD: I remember being a kid at the drug store and they had these toy Hot Wheel cars on display at the register. I started stuffing them into my overalls without a thought in plain sight. I think my mom was pretty embarrassed. I totally thought I had come up with a golden plan.

DR: What inspires you to keep creating, you know, besides the large room of money that you swim in?

NVD: Uncle Scrooge has nothing on my money bin. When not doing the breast stroke through the benjamin’s I’m plotting my next shitty piece of art. I think the only thing that keeps me going at times is having deadlines. A lot of the time when I am drawing it’s not because I want to but rather because someone is waiting on me for pieces. I’ve got a lot of ideas I am looking forward to exploring after I finish this damn comic book.


DR: Do you have any advice for the kids out there that dream of one day being illustrators and look up to Nate van Dyke as an inspiration? And please feel free to include as much profanity as you feel the answer necessitates.

NVD: Don’t do it. Art will rot your brain. Become a doctor. If they still wanna draw cool shit I strongly suggest they try and find their own voice. Don’t copy James Jean, we already have one of those. Get your own voice heard. It’s cool to be inspired by people but make it your own. Don’t go to art school, either. All they care about is your money. If you are good enough to make a living making pretty pictures school is not necessary. I never went to art school and my shit came out ok. The first thing you need to do is get a website with your name in it. Nobody wants to look at your Flickr or MySpace. A website is the most important thing and artist can have. Start fucking someone who can build you a site if you need to. Works for me.

I'd like to thank Nate for taking the time. If you'd like more info on him check this out http://www.n8vandyke.com/. If you'd like a preview of Off the Strip click this.

Wednesday, June 16, 2010

Alison Blickle in Unicorn Wonderland

by Radford

Hello Peoples,

When we here at Industrial Squid were looking for artists to participate in our all things happy, funstravaganza I Believe in Unicorns, the art of Alison Blickle caught our eye immediately. That was primarily due to that fact that it simply exudes awesomeness, but also because just by looking at her paintings we could tell that Alison had the kind of vivid imagination and yearning for adventure that we wanted the show to be about. So we asked her to join us in our quest for merriment and joy and she graciously provided us with the portrait below, which kicks all kinds of booty, and thus unicorn history was made. Anyways, I asked her a bunch of stuff and she told me a bunch of stuff and that is all neatly displayed below for your perusal. Enjoy bitches.



DR: So its Alison Blickle is it?

AB: Yep.


DR: Dude, Blickle is a stellar last name. What is its origin? Awesometownlandian?

AB: Thanks, man. "Awesometownlandian" is one word for it, another is "German".

DR: At what age did you first think “Hey, sure the art world is a harsh, unforgiving place that can be extremely fickle and turbulent, but I totes wanna be part of that.”

AB: I heard that.

I try to keep a positive attitude about art, and just enjoy working in the studio, make paintings that I like, and have amazing friends who support each other through the ups and downs. The rest is just the business side of things. You have to deal with it, but you can't let it get you down. Which is easier said than done sometimes.


DR: So… say I don’t really get art, which, I mean, isn’t true. Like, I totally get art, like a lot. You know? But for hypothetical’s sake let’s say I don’t, what would you say you are trying to convey through your work? And let me just say I totally already know, this is just for the readers…who….don’t.

AB: It's about wishing for unattainable experiences and connection.


DR: So, Unicorns, what say you?

AB: I'm strongly in favor of unicorns.


DR: What’s your favorite song….wait you didn’t let me finish….what is your favorite song…to plot revenge to? Did you really think I was just going to ask you what your favorite song is? Oh man, come on, what kind of lame, vanilla, mickey mouse interviewer do you think I am?

AB: I don't generally plot or plan my revenges, I like to take a more spontaneous approach. J/k, I'm not into revenge. Let it go and move on.

DR: You know, now after talking about it so much, I am kind of curious.. So what is your favorite song, you know, in general?

AB: It's Echoes by Pink Floyd.


DR: Could you take your whole general philosophy on life, encompassing the whole breadth of your experience thus far, and distill it into one single sentence. And if you could make it super inspiring to the people reading that would really help me out, cause then you know they’d probably talk about it with other people, and then those people become interested so they’d start reading the blog, and so on, and so on.

AB: It really depends on what kind of mood I'm in.

DR: Jeopardy or Wheel of Fortune?

AB: I'll take Fortune, thank you.

DR: Price is Right it is. So you went to school in both SF and NY, so as far as East Coast/West coast, what it is lady? Whose side you on?

AB: Oh man, that is a tough call. As far a cities go, nothing beats New York. More art, more awesome. But nature-wise, I have to go with California. Death Valley, Lake Tahoe, Yosemite, Big Sur, redwoods, I mean come on. It's almost too good to be true.

Also lower anxiety levels out west I have to say.

DR: So what are you up to? No not like with your career, like literally right now. What are you doing, besides filling this out, because I know you aren’t giving me your full attention…no one ever does. *sigh*

AB: I am giving you my full attention! Dang.


DR: Did you have a good time? (If you didn't could you just say you did? I'm dealing with some low self esteem issues right now, which you could probably guess from the last question.)

AB: I did.


DR: Oh, I almost forgot, one last thing, this is really important. So do you know how to plug the hole that is gushing tons of oil into the Gulf of Mexico because I don't know, it seems like a problem?

AB: I don't know but the oil covered animals are breaking my heart. Humans have got to stop being so rude.



Thanx so much to Alison for being Awesometownlandian. Check out her piece and the rest of the art for I Believe in Unicorns here. And to learn more about Alison and her work go here.

Monday, June 14, 2010

I Believe in Unicorns Because I Have Photographic Evidence

Question: Who wants to see photos from our Magical Unicorn Photo Wonderland?
Answer: Every-fricken-body!

Here are a few of our favorites and you can check out the rest here: Magical Unicorn Photo Wonderland

Unicorn (being a jerk like usual)


Unicorn creepily appearing in Jim and Tina Darling's Prom Photo.


Dan Barry is not amused. Or is he? No seriously could
somebody let me know because I can't figure it out.


Unicorn gave Jesse Hotchkiss a lift home.


Unicorn striking a pose for Ana Bagayan.


Dee Chavez and Jeni Yang and the Unicorn
discussing the possibility of Glee being canceled.


Max Kaufmann just wanted to get a photo with a couple of his friends
and Unicorn had to jump in the background. Stupid Jerk Unicorn.


Jessica Cooper and the softer side of Unicorn.


Emily Trent Dickens and Unicorn understand the definition of the word frolic.


Unicorn and his Gang of Merry Artists.
(Don't let the Merry part fool you, they will cut you.)

Dee Chavez and Unicorn begin an interpretive dance.


Tiffany Liu finds out if Unicorn hair is indeed made out of licorice.
(Warning: Do not try this at home. It is not made out of licorice
and Unicorns have a nasty habit of kicking)


Unicorn knows how to get down.


In the end, Unicorn is a lover at heart.

Now that you're done checking that out, check out the art from the show here:
I Believe in Unicorns